Being based on a 'ghostly' fantasy plot, it would be foolish to search for any logic in its various sequences related with the bottled spirits and more. In the second half though the pace drops due to the usual predictable plot of a love triangle and some repetitive scenes, still it keeps covering the mistakes fast with the dependable Diljit and never tends to lose the grip heading towards another comical (unusual) climax giving you the worth of your money spent. Having a comparatively better, fast moving and hugely entertaining first half, SARDAAR JI begins on a bumpy note (with few unfamiliar faces on screen) but then pulls the viewers in through many well- conceived hilarious sequences and some engaging story developments before the intermission. And a script that has enough to keep you engaged throughout it's more than two hours long duration (with some fine songs) despite the usual hiccups post intermission. Director Rohit Jugraj returning with another well-made project post his successful JATT JAMES BOND introducing a fantasy 'ghost' plot for the first time ever in Punjabi Cinema. And in case you quickly wish to know the key merits of SARDAAR JI in short, then the film has Diljit Dosanjh, the superstar of Punjabi cinema back in his terrific form with a perfect comic timing after the mistake called DISCO SINGH.

However sharing the good news first, here we have a film that promises to entertain you well through its novel and innovative script revolving around a strange love triangle performed superbly by the cast after a long time. Coming straight to the point, SARDAAR JI brings a big positive as well as a big negative news for Punjabi Cinema, if one looks at this latest release (having all the potential of becoming a major hit), with a deeper understanding of the trend witnessed in the last decade of Punjabi film business.

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